rick springfield

Rick Springfield
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Rick Springfield

Background information
Birth name Richard Lewis Springthorpe
Born August 23, 1949 (1949-08-23) (age 58)
Sydney, Australia
Origin Sydney, Australia
Genre(s) Pop rock
Occupation(s) Singer, Songwriter, Actor
Instrument(s) guitar
Years active 1967 - present
Website Official site
Rick Springfield (born Richard Lewis Springthorpe on August 23, 1949 in Sydney, Australia) is a songwriter, musician and actor. As a musician, he is most famous for the 1981 #1 single "Jessie's Girl", which became a Grammy Award-winning landmark of 1980s pop-rock and helped establish the emerging music video age. Also an actor, Springfield's best known role is that of the character Dr. Noah Drake on the daytime drama General Hospital. He originated the character from 1981-1983, and then returned to play him again from 2005 until present.

Contents
1 Background
1.1 Musical career
1.2 Acting career
1.3 General Hospital
2 Personal life
3 Awards
4 Albums
5 Singles
6 References
7 External links

[edit] Background
Springfield grew up in a military family, and moved as his father, who was in the army, was posted to various military bases throughout Australia and Great Britain. Springfield started playing piano at age 9. He began playing the guitar at age 13, and writing songs at 14.

[edit] Musical career
In 1967, Springfield dropped out of high school to begin his professional music career. His first appearance in a band was as a singer/guitarist in the band Rock House. In 1968, the band changed the name to MPD, Ltd, then embarked on a tour of Vietnam to entertain the troops stationed there.[1]

In 1969, when Springfield returned to Australia, he formed a band named Wickedy Wak with MPD bandmates Danny Finley and Paul Shannon, along with a keyboardist who went by the name of Ray Wight. Later that year, he joined the band Zoot. Zoot became one of the most popular Australian groups of the late 1960s. Another notable member of Zoot was Beeb Birtles, who in 1975 went on to form the Little River Band. In May 1971, when Zoot broke up, Springfield began a solo career. He had a #1 hit single in Australia, "Speak to the Sky."

After his success in Australia, the 22-year-old Springfield relocated to Hollywood, California in 1972.[1] Capitol Records signed him, and he recorded his first album Beginnings. "Speak to the Sky" was re-released as a single in the US, and reached #14 in the Billboard Top 100. Exposure on American Bandstand, as well as being regularly featured in teen fan magazines such as 16 magazine and Tiger Beat, sparked interest amongst teenage girls. In 1973 a Saturday morning cartoon called Mission: Magic! was centered around Springfield and ran for one year, with a soundtrack album also released.

According to the 2005 A&E Documentary Rick Springfield: Behind The Image, radio stations became suspicious of the album "Beginnings" and refused to play it, because of rumors that the record company, Capitol Records, was paying people to purchase it. Capitol denied the rumor, but Springfield was subsequently dropped from the label. However, in 1973 he was signed by Columbia Records, who released his second album Comic Book Heroes (1974). It received very good reviews from Rolling Stone Magazine, but it failed to chart. Springfield was dropped from that label as well, and plans to release an album entitled Springfield were also scrapped.

In 1976, Springfield released a third album Wait for Night under the Chelsea Records label. But while he was out touring to promote the album, the record company went bankrupt. Despite one single, "Take A Hand", grazing the Top 40, the album still fell off the charts. Throughout the rest of the 1970s, Springfield performed in various clubs on the Sunset Strip and throughout Los Angeles, but was unable to maintain a career at the top of the charts.

After a break of several years to do some acting (see section below), Springfield returned to music in 1981 with the album Working Class Dog. Most notable on this album were the singles "Jessie's Girl", which went to #1 on the Billboard charts, and "I've Done Everything for You" which was written by Sammy Hagar. Springfield won a Grammy in 1982 for "Best Male Rock Vocal Performance" for "Jessie's Girl". Springfield was also nominated for a second Grammy in 1982 and a third Grammy in 1983. His subsequent release in 1982, the album Success Hasn't Spoiled Me Yet, also contained a string of top 40 hits including the #2 hit "Don't Talk to Strangers" and the ballad "What Kind of Fool Am I?"

His 1983 album Living in Oz contained more serious subject matter, and more of a hard-rock sound. The album went platinum on the strength of the hits "Human Touch", "Souls", and "Affair of the Heart". That same year he won an American Music Award for "Favorite Pop/Rock Male Artist along with John Cougar Mellencamp.

His 1984 single "Love Somebody" (from the soundtrack album to the Hard to Hold movie he starred in that year) was his last top ten hit in the U.S. to date. He stopped touring in 1985, for the birth of his first son, Liam.

Springfield was one of several performers who participated in the Live Aid charity concert. After releasing the album Tao in 1985, Springfield chose to take a break from recording to spend more time with his family, and to deal with the depression that had affected him since his adolescence.[1]

In 1987, Springfield returned to the studio and released the album Rock of Life. The next year, he was seriously injured in an ATV accident. Since he was unable to play the guitar for six months, the planned tour to promote his album was canceled. It would be nearly a decade before Springfield would return to the studio to record the albums Sahara Snow (1997) and Karma(1999).

From 1999 onward, he has held several concert tours throughout North America. In February 2004, he released the critically acclaimed album "Shock/Denial/Anger/Acceptance" (in short S/D/A/A) on his own "Gomer Record" label. It went up to #8 on the Top Independent Albums chart, and #22 on Top Internet Album Sales chart.

In 2005, Springfield released his latest album, The Day After Yesterday - a collection of his covers of "songs [he] wish[es] [he] had written."

On April 28, 2006, Springfield performed a medley of his hits at the 33rd Daytime Emmy Awards, and received an enthusiastic response, which included a standing ovation from his acting peers. Springfield's latest release is a live concert DVD entitled Live in Rockford.

In late-August 2007, Rick took part in the Countdown Spectacular 2 concert series in Australia. It was the first time Rick had performed live in Australia for some 35 years.

[edit] Acting career
Because of various issues regarding the management of his recording career and uncertainty with immigration paperwork, in the 1970s Springfield decided to branch off into acting. He had already starred in the cartoon series Mission: Magic, produced by Filmation in 1973, where he appears in the animated format, along with the teacher Miss Tickle and her teenaged students. In 1978, he became one of the last contract actors signed to Universal Studios, and appeared in several guest roles in series such as The Incredible Hulk and The Rockford Files. He also had a brief role as Zac in the 1978 movie Battlestar Galactica, and a small recurring role on the soap opera The Young and The Restless.

In 1981, Springfield became a soap opera star on General Hospital. He had already recorded the album Working Class Dog, which neither he nor his agent had expected would do very well, which is why Springfield took the soap role. But the song "Jessie's Girl" went to #1, and Springfield ended up both playing the role of Dr. Noah Drake from 1981 through 1983, while simultaneously going on tour with his band. The success of the song boosted the ratings of the show, which according to Springfield "became the biggest show on TV for that summer," and the fame from the show likewise boosted the sale of the song.[1]

In 1984, Springfield made one full length feature film "Hard to Hold".[2] It was considered a box office failure, but the movie did produce a successful soundtrack with a top ten song "Love Somebody."

Despite the fact that he played a young rock star in Hard to Hold, in real life Springfield was already in his 30s, had become a husband and father, and was growing uncomfortable with the teen idol image he portrayed.

Throughout the 1990s, Springfield acted in several made-for-TV movies, and appeared in television shows such as Suddenly Susan. In 1992, he starred in the suspense detective series Human Target. From 1994 to 1996, he also starred in another detective series, High Tide.

In addition to the roles on television and in film, Springfield also acted in musical theatre. In 1995, he was a member of the original Broadway cast of the musical Smokey Joe's Cafe.[3] This Tony Award-nominated musical featured the songs of rock & roll songwriters Jerry Leiber and Mike Stoller. From February 2000 through December 2002, Springfield performed in EFX Alive![4]at the MGM Grand in Las Vegas, Nevada to critical acclaim.[citation needed]

In 2001, he appeared in the film Dying to Dance, which also starred another General Hospital actor, Kimberly McCullough (Robin Scorpio). Springfield also played the role of Nick Knight in the original Forever Knight TV movie, a role later taken up by Geraint Wyn Davies.

[edit] General Hospital
See also: Noah Drake and Eli Love
In December 2005, Springfield was asked by the General Hospital producers to return to the show, and he returned to his role as Dr. Noah Drake after a 23-year absence.[5] His run was subsequently extended, although as of 2007 he remains a guest star on recurring status, and not a full contract cast member.[6] In July 2007, a new storyline was introduced with another character also played by Springfield. The storyline is that the new character is Eli Love, "a 1980s rock star" who just happens to look exactly like Dr. Drake, who hates musicians, but may have to fill in for Eli Love at a charity concert.

[edit] Personal life
In 1974, Springfield dated and lived with then 15-year-old actress Linda Blair. He considered it his first "grown up" relationship, despite nearly 10 years difference in their ages.[7][8]

He is married to Barbara Porter (October 27, 1984). They met in 1980 while she was working as a receptionist at the recording studio where he recorded his 1981 album Working Class Dog. They have two sons: Liam, born in 1985, and Josh, born in 1989.

In 1985, Springfield took break from his musical career to spend more time with his family, and to deal with the depression that had affected him since his adolescence.[2] He had also wrestled with depression in the 1970s, when the serious illness of his father (who died on April 24, 1981) and career troubles caused him to "hit the wall" and contemplate suicide.[1]

In 2006, Rick Springfield became a citizen of the United States, but also retains his Australian citizenship.

It's been 26 years since Rick Springfield took pop music by storm with "Jessie's Girl." Which means it's been about 25 years, 11 months, three weeks, six days, 23 hours and 40 minutes since the Australia-born star was first roundly derided as a wannabe musician, a pretty-faced actor churning out insubstantial hooks in order to bolster his surely fleeting fame.

Were that the case, it's doubtful that you could find kids who hadn't been born when "Jessie's Girl" and Springfield's other hits ruled the airwaves dancing and singing the words to them more than a quarter-century later. But you can, at any '80s Nite or karaoke bar or local dive with a great jukebox. Guilty or not, his tunes continue to bring pleasure to listeners of all ages, something in which the songwriter must find more than a little validation.

"I'm proud of it," he says. "It's great to see. We're seeing a lot of younger fans coming to the live shows, too, 'cause it's a pretty hard-rocking kind of thing."

At 58 years old, Springfield will never again experience the sort of pop-cultural deity status that accompanied the release of his American debut, "Working Class Dog," and his stint playing Dr. Noah Drake on "General Hospital."

For some artists, the realization that their glory days - in terms of mass popularity, at least - are behind them can be difficult, even impossible, to accept. But, for Springfield, who wrote the vast majority of his own music, including "Jessie's Girl," the joy has always been more in creating and playing the music than the peripheral notoriety; he understands that most of his fans view him through the memory-tinted lens of nos- talgia.

"It's very understandable, and I have exactly the same attachment to the music of the '60s that I grew up with," he says. "I think there's a window for most people. It opens when you first discover music, when you're 12 or 13, and it goes until you get a career or a family. Other than musicians and people who work in music professionally, when the window closes, that's sort of the music you live your life with. It comes with the territory."

That doesn't mean Springfield himself hasn't moved on, however. The songwriter returned to the marketplace in 1999 after a decadelong hiatus with the full-length "Karma," and has produced a new album every three or four years since. His latest, this month's "Christmas with You," is a surprisingly mellow and largely reverent collection of traditional seasonal songs anchored by its title track, an original that tells the story of a protagonist stuck far from loved ones during the holidays. The tune is obviously relevant when experienced against the backdrop of the ongoing war in Iraq, and all proceeds from it are going to American Gold Star Mothers, an organization of parents who have lost a son or daughter to military conflict.

Whether the timely "Christmas with You" endures to become the kind of evergreen seasonal song folks are still playing this time of year 26 years from now remains to be seen. And Springfield has already assured himself a place in the annals of pop history in any case. But for him, that's not the point. He's still writing tracks and performing for the people who want to hear them.

"I don't think any writer who's written anything that lasted sat down to write something that was going to last," he says. "They wrote what was in 'em. Even when my first record hit, I didn't feel pressured to re-write 'Jessie's Girl.' I've always had that approach and don't know anybody who's written anything meaningful that didn't have that approach.

"Which isn't to say that a writer doesn't want to leave his mark," he adds. "But that's different from the day to day toil of the joy and pain of creating something. Even a banker wants to leave his mark, you know?"

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